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‘If You Prick Us Do We Not Bleed?’: Marvel Comics’ Vision: Director’s Cut Re-Evaluating What It Means to Be Human

Abstract

Vision: Director’s Cut (2017) is a short comic series about Vision, a lonely robot Avenger superhero who builds his own robotic family out of his desire for love and happiness. The story focuses on the Vision family as they struggle to lead a ‘normal’ suburban life under Vision’s tutelage. As beings of artificial intelligence (AI), they are subject to social ostracism and abuse by a neighbourhood that refuses to accept them as part of the human community. In doing so, Director’s Cut enters into the long-standing literary debate about humanness versus monstrousness, what it means to be a human, and who gets to dictate the definition. The storyline is a contemporary science-fiction rendition of Mary Shelley’s Frankenstein (1818), which dramatises the dangers of trying to artificially create a human life. Both texts are in agreement that once these beings are created, because they are sentient and self-aware, then they ought to be treated with dignity, respect and equality. Director’s Cut is additionally comparable to Shakespeare’s The Merchant of Venice in exploring the act of vengeance by the traumatised outsider, and how said acts ironically prove their humanness because revenge is a motive inimitable by any other life form.

Published: 2020-11-21
Pages:133 to 149
Section: Symposium: Drawing the Human
How to Cite
Henderson, L. (2020). ‘If You Prick Us Do We Not Bleed?’: Marvel Comics’ Vision: Director’s Cut Re-Evaluating What It Means to Be Human. Law, Technology and Humans, 2(2), 133-149. https://doi.org/10.5204/lthj.1640

Author Biography

Griffith University
Australia Australia

Leah Henderson is a PhD canfidate at Griffith University in Queensland. Her thesis explores three modern serials that narrate changing approaches to time and mortality within Western culture and how these perspectives have been affected by new technologies. The Marvel Avengers film series is one of these case studies. Leah has presented papers at Warwick University and the University of the Sunshine Coast. She has also been published in Forum: University of Edinburgh Postgraduate Journal of Culture & the Arts, Exchanges: The Interdisciplinary Research Journal, and The Raw Art Review under the artist pseudonym of Blue Rose. 

Open Access Journal
ISSN 2652-4074